Like all of Pixar’s teaser trailers, the first preview for The Good Dinosaur is all about mood, emphasizing a distinct feeling over characters and plot. But as the title implies, it’s really all about dinosaurs. Colorful, adorable dinosaurs who, thanks to director Peter Sohn and the Pixar braintrust, aren’t wiped out by an apocalyptic asteroid 66 million years ago and live on to have all kinds of adventures. Take that, science!
By now, everyone is familiar with the interconnectedness of the Marvel Cinematic Universe and how every film references what came before and what’s arriving next. So it makes sense that Ant-Man, the riskiest Marvel endeavor yet, will supposedly be filled with references to one of Marvel Studios’ surest things: the new Spider-Man. We guess the bug-themed superheroes have to stick together, huh?
Tomorrowland may have taken the top spot at the box office in its debut weekend, but things still look awfully grim for the George Clooney sci-fi vehicle. Not only did the film open far below expectations, it faced serious competition in Pitch Perfect 2, which continued to kick aca-butt in its second weekend. And it wasn’t the only new release to under-perform, with the Poltergeist remake also falling short of early predictions. If you were a new release this weekend, things were awfully rough.
It’s no secret that Pixels began its life as a short film, a special effects demo that showed off some inventive and amusing imagery that wasn’t required to have things like, you know, a plot or characters. So the feature version of Pixels had to find an excuse for classic arcade characters to invade Earth and that excuse was aliens. Who look like Pac-Man and Donkey Kong for some reason. And whose greatest opponent is Adam Sandler. Okay. The new trailer isn’t going to change your mind if that premise still sounds like nails on a chalkboard.
In one weekend, Pitch Perfect 2 has handily outgrossed the entire run of its predecessor, proving that you should never underestimate a sleeper hit that steadily grows an army of dedicated followers through the power of Blu-ray and DVD. Right below it, Mad Max: Fury Road opened to respectable numbers that will look disastrous to anyone who doesn’t pay attention to the details. Let’s dive in.
Acquiring Lucasfilm and Marvel were just two minor steps in Disney’s grand plan to eventually own everything you love and control your life as Entertainment Overlord Supreme of the Planet Earth. But to be fair, they are a benevolent god. A caring god. A god that wants to make its riches available to you, should you want to indulge yourself. So prepare thyself: TV channels based entire on Marvel and Star Wars content may be coming.
It should come as no surprise that Warner Bros. is planning to resurrect The Fugitive in some capacity. After all, a major film studio returning to the well of the comfortably familiar for a remake or a reboot (or a reboot of a remake) is pretty par for the course these days. What makes this news ever-so-slightly interesting is the suggestion that this may be a continuation of some kind, featuring the same characters that Harrison Ford and Tommy Lee Jones played in the iconic 1993 film.
As expected, Avengers: Age of Ultron dominated the box office for the second weekend in a row, pulling in numbers that would be the envy of most summer blockbusters’ opening three days. And while the only new release of the week faltered, it was a surprisingly strong week overall, with many of the films in the top 10 faring well despite facing one of the biggest movies of the year.
Last night’s generally unremarkable episode of SNL peaked early when it took advantage of its proximity to Mother’s Day to do something kind of remarkable. As part of her opening monologue, guest host Reese Witherspoon declared that the show was going to mark the occasion by bringing each cast member out with his or her mother...and then forcing them to apologize for their childhood transgressions.
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