Here's the thing about January: it's usually a wasteland. With the studios concentrating on their Oscar campaigns and the profitable summer months still half a year away, this month is where all of the crap usually gets dumped. However, this is also one of the few months where crap has a chance of performing well, hence the success of last year's 'The Devil Inside' and now 'Texas Chainsaw 3D,' whi
Well, now we know why the box office was so incredibly light last week: everyone was waiting to see things this week! Although 'The Hobbit: An Unexpected Journey' clung to the top spot for the third week in a row, it was a very tight race, with only $4 million separating the top three films...
Who says Christmas is about staying warm by the fire and exchanging gifts with your loved ones? Everyone knows that the holidays are all about movies! A depressing musical adaptation of a Victor Hugo novel and an ultra-violent revenge fantasy may not sound like Christmas material, but the opening days of 'Les Miserables' and 'Django Unchained' prove otherwise.
The 2013 Screen Actors Guild Awards nominations were announced this morning and the full list of nominees shouldn't be much of a surprise. 'Les Miserables' and 'Lincoln' led all movies with four nominations each and 'Modern Family' led all TV shows with a total of four nominations. Tomorrow the Golden Globes nominations will be announced so take a look below to see the full list of the 2013 SAG Aw
With the holiday season about to kick into gear, we're about to see the big guns of the Oscar pictures, and one of the biggest of 2012 is 'Les Miserables.' Hugh Jackman, Anne Hathaway, Russell Crowe and Amanda Seyfried lead the cast of the awards-bait film, and now they've taken had their pictures by Annie Leibovitz for Vogue magazine.
We're about to enter the heart of darkness for the Oscar season, where a number of big pictures are going to make their bid to be the front runner. But all bets are off until December 25, when 'Les Miserables' hits screens. Now there are two TV spots to sell the scale and importance (and perhaps inevitability) of the film.