Review

"It's no Roscoe's, but it's good for fast food."

Warrensburg Chamber of Commerce members and their families got a sneak peak of the new restaurant at Saturday Morning's ribbon cutting.

For a limited time McDonald's is giving us the privilege of enjoying their McChicken Biscuits. When they come off the menu I'm not sure many of us will care.

"The Deuce" is about the people who find themselves working in the peep show district of 42nd Street in NYC in the 70's and 80's. It's worth watching.

“They don't make 'em like that anymore!” That's what my old man always liked to say when we'd watch a black and white Hollywood classic. Sometimes he meant it as a sign of respect. Sometimes he meant it to mean, "Wow, that was super cheesy." George Clooney's 'The Monuments Men' goes right down the middle.

With piracy drama 'Captain Phillips,' Paul Greengrass ('Bloody Sunday,' 'United 93') has defended his ground as the go-to man for tragic, reality-based pressure-cooker films. The dude really knows how to get your palms sweaty, even when you kinda-sorta know how things are going to end up. Note to self: don't take your cargo ship through the Somali Basin if you don't have to. Greengrass is also the

As basically a three-word genre mash-up -- monsters vs. robots -- the announcement that Warner Brothers and Legendary Pictures were making 'Pacific Rim' didn't really need to offer much more than just that siren-song simple idea. But it did, promising a big canvas for a big talent, the director Guillermo del Toro. Del Toro isn't a household name -- unless you live in Austin -- but he's the outsize

I loved 'Rango,' the last time Johnny Depp and Gore Verbinski offered up a madcap spin on the Western. I basically enjoyed 'John Carter,' last year's Western-infused would-be space epic, which, not coincidentally, was the last time Walt Disney stock holders had to reach for a shaker of Tums. However, 'The Lone Ranger,' this new spazzed-out Western from Depp, Verbinski and Disney, takes unusual and

'White House Down' has the disadvantage of being the second 'Die Hard'-in-the-White-House movie of 2013 after 'Olympus Has Fallen,' and the advantage of being superior to its predecessor in every conceivable way. It's better directed, better written, and better acted. The action is better, with more impressive special effects; the production design is better, with a much more convincing replica of

'The Hangover' giveth and 'The Hangover' taketh away. The first 'Hangover' made Bradley Cooper, Ed Helms, and especially Zach Galifianakis stars, and it elevated Todd Phillips from middling Hollywood director to name-brand comic auteur. But in the film industry, success that surprising and enormous demands more success; the beast must be fed. But as 'The Hangover Part II' and especially the new '