Movies

It’s a battle of the science fiction blockbusters this weekend, with Alien: Covenant and Guardians of the Galaxy Vol. 2 giving us a photo finish at the box office. The two movies couldn’t be more different in style, tone, and aesthetics, but they equally captured audiences’ attention and shined a light on what the future has in store for both franchises. Here’s the box office numbers as of Sunday afternoon:

Turn off your proton packs and fire up your Fleetwood Mac, it’s time for the latest edition of the ScreenCrush Weekend Box Office Report! There were few surprises to be found at the top of the list this weekend, but with a few big films nearing the end of their theatrical run, it’s a good time to take stock and see how things shook out. Here’s the projected grosses as of Sunday afternoon:

You know how culture critics sometimes say you should stop being surprised when diverse films do well at the box office? They may be right, but even the most optimistic pundit probably couldn’t have seen this weekend coming. The tops spots on this weekend’s Box Office Report are a testament to their audiences, proving that Americans are ready to support films that aim for more than just the typica

Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:

Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.

It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.

While the giant ape in Kong: Skull Island may not climb any New York skyscrapers this time around, he certainly did climb the box office charts. The latest Warner Bros. monster movie shot all the way to the top spot in its opening weekend, with Logan and the surprising hit Get Out both shifting one spot down to accommodate him.

If you thought the cord-cutters’ market was aggressive before, just wait until you get a load of YouTube TV. The online video staple announced the full scope of its live TV bundle, complete with unlimited cloud DVR and a moderate monthly subscription fee.

The Oscars have long had surprising moments, but Sunday night just gave us the most insane moment in Academy Awards history. Moonlight won Best Picture, but only after presenters Warren Beatty and Faye Dunaway mistakenly named La La Land the winner.

In what is no doubt the most insane moment in Oscars history, Moonlight won Best Picture only after it was wrongly announced that La La Land was the winner.